未来反乌托邦社会，残酷地死亡游戏：100个年轻人参加一种竞走“比赛”，必须一直往前走，没有终点。任何落后或走不动的人，会在三次警告后被一枪爆头杀死，直到剩下最后一个。
刘晓波是一家地产公司中层，5年前妻子被撞身亡，却一直没能找到肇事车主，成为他心里的一块心病。王昕是公司的电梯供应商，王昕爱上了单身的刘晓波。在两人确定关系的一次饭局后，回程路上酒后开车撞了一个人，两人逃离现场。20分钟后回去救人时，却找不到被撞的人。随后两人的生活被打乱了，家中遭遇不明骚扰和恐吓，费劲千辛万苦找到被撞之人，却发现搞恶作剧的另有其人，到底是谁？交警队给刘晓波打来电话，5年前撞死刘晓波老婆的凶手投案自首了，赶到交警队发现凶手竟然是被撞之人……二人生活中的恶作剧凶手到底又是谁……
当查理的连环杀手丈夫决定最终为她戒除杀戮时，她很激动，但很快发现自己为了保护自己爱的男人而采取了暴力行为，甚至不惜伤害他自己。
After the death of her sister, a woman is visited by a man looking to solve a series of murders by a motorcycle maniac. As their shared fear grows, the killer's rampage continues, leaving them both questioning who the real monster is.
影片讲述了一个绝望浪漫者的愿望引发超自然诅咒的故事。Woe（迈克尔·约翰斯顿 饰）长期暗恋童年好友Nikki（印达·纳瓦雷特 饰），在一次表白失败后，他通过一件具有“猴爪”式超自然力量的 饰品许愿，希望Nikki能爱上他。但随着愿望成真，Nikki的行为逐渐变得异常，她的偏执和人格扭曲暗示其自主意识被某种恶意实体取代。
★ 強勢登頂泰國首周票房冠軍，終結【阿凡達：火與燼】四連霸紀錄！ ★ 挑戰感官極限的超尺度降頭獵殺，刷新「虐胃觀影」恐怖天花板！ ★ 徒手撕下顎、精蟲灌腦髓、滾鉛水灌喉，直擊咒術酷刑血腥實錄！ ★ 最生猛的南洋降頭禁術，殘虐指數破表，恐懼無處可逃！ 劇情簡介 血腥降頭獵殺，一個都別想跑… 出生自帶詛咒的潘娜（丘普朗阿瑞昆 飾）順利考取大學，原以為能埋葬過去、重啟新生。怎知她和好友小敏（萍瑪達柴莎索恩 飾）竟在新生活動後，慘遭六名學長姐殘酷霸凌。在導師制止後，對方反而變本加厲，私下求助降頭師施以致命巫術，卻意外喚醒潛藏在潘娜體內的「三眼神」邪力。獵人與獵物身份瞬間反轉。覺醒後的潘娜，信手捻來皆是索命降術，以牙還牙展開血色清算。一場終極獵殺就此引爆，誰也別想活著離開這場血色祭典！
这是四个登山者——阿约、妮塔、拉卡和尤妮——的恐怖经历。起初他们欢声笑语，最终却遭遇了一场灾难。四人在山脚下的集市迷路后，被困在一个神秘的村庄里。据说，这个集市是连接不同维度的入口。下山途中，他们遇到了一场奇异的民俗节庆，并被一位带着八条野狗的神秘老人拦住。阿约和他的朋友们能否克服这可怕的困境，找到回家的路呢？
“Lobo Feroz is a loose, revitalised adaptation of Big Bad Wolves. There were many changes that we made when you compare it to the original, given that we added new characters, plot strands and locations, and we introduced and fleshed out new themes teetering between dark comedy and police thriller. The film questions one’s principles, human behaviour and how ambiguous it can be,” the director explained to Cineuropa. “I’m very happy to be able to work with a dream Spanish cast, where everyone demonstrates their enormous talent and commitment in every scene and through every single detail.” The screenplay for the movie – written by Juan Manuel Foode Roma and Eva María Alonso Moreno – follows a police officer on the fringes of the law and a woman seeking revenge. Their paths cross, as they are obsessed with discovering the identity of the murderer behind a string of brutal crimes involving various girls. They are both willing to do whatever it takes to secure a confession, even though they will have to take the law into their own hands in order to do so. At the same time, a model detective will do his utmost to avoid irreparable errors being made and to ensure that this desperate search for the truth does not transform into the fiercest of wolves.
哀牢山灵异事件轰动一时，来自六名露营的高校学生，前往云南哀牢山原始森林。谁也没有想到一次平常的露营探险任务，竟然成了一次诡异的死亡序曲。他们进入哀牢山地带仅仅过去几天，就全部无人生还。比较离奇的是，当搜救者发现这几位遇难者时，有两位遇难者的死状非常诡异！
故事关于一个网络视频审查员，她每天就是删除攻击性和暴力内容，这导致她身心俱疲。但她偶然发现了一个组织，他们正在重现原版《死亡真面目》中的恐怖场景。而在技术发达的今天，她开始对这些视频的真假感到疑惑……
First-time feature director and award-winning comedian Simon Glassman comes to Fantasia with the cosmic horror, BUFFET INFINITY! Picking from hundreds of hours of original, low-budget TV ads, Glassman tells the sinister tale of two restaurants battling it out in the town of Westridge County. Insurance ads, used car rivals, and plugs for a local religious scholar and recording artist, Langdon P. Hershey, all converge to tell the story of an expanding sinkhole, a cult, and an ever-growing restaurant that becomes unsettlingly sentient.
丛林深处藏着一只以永恒饥饿为驱动的元素怪物，它每25年苏醒一次，以同一人类家族的血脉为食。1969年，河畔邪教成员莉莉丝在献祭仪式中被怪物选中，诞下的女儿伊芙从此背负诅咒。1994年，一支摄制组前往丛林拍摄邪教纪录片，却意外发现自己与怪物的信仰绑定，成为下一批祭品。2019年，政客肯在直播中遭遇离奇死亡，成为怪物苏醒的信号。2044年，跨国企业的莉莉试图摧毁公司，却发现企业早已被怪物的力量渗透，火焰吞噬一切时，家族的诅咒迎来终章。
When, at the beginning of Deus Irae, Father Javier stares at a crucifix, his expressions and his hands suggest that the nerves are consuming him. A flashback reveals that this priest devotes his life to visiting families that claim to have seen things that do not belong to this world and cleansing their homes from the demons that try to possess them. But, upon returning to those houses, he notices that the evidence is always destroyed. This way, he discovers that a clan is after him, and must decide whether to hide from them or join them. In times when horror cinema tends to fall into the hands of directors that seek to build narratives that are introspective and close to reality, Pedro Cristiani goes back to old-school horror, where gore and the physical experience are above any other kind of feeling. A cinema that places the camera in front of the faces of the bloodiest demons and, instead of giving logic to them, chooses to face them whatever the cost.
